Michael Jordan Ajouté par Michael Jordan
Whole song: ↓ · ↓ ↑ · ↑ ↓ ↑
[Intro 2]
| G5 | - | - | - |
| - | - | - | - |
| - | - | - | - |
| - | - | - | - |
[Solo 1]
| G5 | - | - | - |
| - | - | - | - |
[Verse 1]
D5
Justified obliteration
No one cares anymore
The Messiah or
Mass murderer
No controlling who comes
Through the door
A culture made of coverups
Will leprosy
Touch their flesh?
For backroom meetings
And rendezvous
The vultures have
A5
Come home to nest
[Chorus]
Ab5 F5 D5 A5
The clock runs out
Ab5 F5 D5 A5
The weakest link
Ab5 F5 D5 A5
A deadly strike
Ab5 F5 Ab5 G5
The threat is real!
[Verse 2]
D5
See the burnished images
Of a crest fallen agency
Violent conditioning
Caused the nature of the enemy
Your terminal lack of vision
Blinded eyes see no light
A chronic lack of perspective
A5
Their cancer now eats us alive
[Chorus]
Ab5 F5 D5 A5
A fatal shot
Ab5 F5 D5 A5
A lust for blood
Ab5 F5 D5 A5
The final act
Ab5 F5 Ab5 D5
The threat is real!
[Solo 3]
| B5 | - | D5 | - |
| B5 | - | D5 | - |
| B5 | - | D5 | - |
| B5 | - | - | - |
| - | - | - | - |
[Solo 4]
| G5 | - | - | - |
| - | - | - | - |
| - | - | - | - |
| - | - | - | - |
[Verse 3]
D5
Justified obliteration
No one cares anymore
The Messiah or
Mass murderer
No controlling who comes
Through the door
A culture made of coverups
Will leprosy
Touch their flesh?
For backroom meetings
And rendezvous
The vultures have
A5
Come home to nest
[Chorus]
Ab5 F5 D5 A5
The clock runs out
Ab5 F5 D5 A5
The weakest link
Ab5 F5 D5 A5
A deadly strike
Ab5 F5 D5 A5
The threat is real!
Ab5 F5 D5 A5
A fatal shot
Ab5 F5 D5 A5
A lust for blood
Ab5 F5 D5 A5
The final act
Ab5 F5 G5
The threat is real!
[Outro]
| D5 | - | G5 |
[Intro 2]
| G5 | - | - | - |
| - | - | - | - |
| - | - | - | - |
| - | - | - | - |
[Solo 1]
| G5 | - | - | - |
| - | - | - | - |
[Verse 1]
| D5 - | - - | - - | - - |
| - - | - - | - - | - - |
| - - | - - | - - | - - |
| - - | - - | - - | - A5 |
Justified obliteration
No one cares anymore
The Messiah or
Mass murderer
No controlling who comes
Through the door
A culture made of coverups
Will leprosy
Touch their flesh?
For backroom meetings
And rendezvous
The vultures have
Come home to nest
[Chorus]
| Ab5 - F5 - | D5 - A5 - | Ab5 - F5 - | D5 - A5 - |
| Ab5 - F5 - | D5 - A5 - | Ab5 - F5 Ab5 | G5 - - - |
| - - - - | - - - - | - - - - | - - - - |
| - - - - | - - - - | - - - - |
The clock runs out
The weakest link
A deadly strike
The threat is real!
[Verse 2]
| D5 - |
| - - | - - | - - | - - |
| - - | - - | - - | - - |
| - - | - - | - - | - - |
| - - | - - | - A5 |
See the burnished images
Of a crest fallen agency
Violent conditioning
Caused the nature of the enemy
Your terminal lack of vision
Blinded eyes see no light
A chronic lack of perspective
Their cancer now eats us alive
[Chorus]
| Ab5 - F5 - |
| D5 - A5 - | Ab5 - F5 - | D5 - A5 - | Ab5 - F5 - |
| D5 - A5 - | Ab5 - F5 Ab5 | D5 - - - | - - - - |
A fatal shot
A lust for blood
The final act
The threat is real!
[Solo 3]
| B5 | - | D5 | - |
| B5 | - | D5 | - |
| B5 | - | D5 | - |
| B5 | - | - | - |
| - | - | - | - |
[Solo 4]
| G5 | - | - | - |
| - | - | - | - |
| - | - | - | - |
| - | - | - | - |
[Verse 3]
| D5 - | - - | - - | - - |
| - - | - - | - - | - - |
| - - | - - | - - | - - |
| - - | - - | - - | - A5 |
Justified obliteration
No one cares anymore
The Messiah or
Mass murderer
No controlling who comes
Through the door
A culture made of coverups
Will leprosy
Touch their flesh?
For backroom meetings
And rendezvous
The vultures have
Come home to nest
[Chorus]
| Ab5 F5 | D5 A5 | Ab5 F5 | D5 A5 |
| Ab5 F5 | D5 A5 | Ab5 F5 | D5 A5 |
| Ab5 F5 | D5 A5 | Ab5 F5 | D5 A5 |
| Ab5 F5 | D5 A5 | Ab5 F5 | G5 - |
| - - |
The clock runs out
The weakest link
A deadly strike
The threat is real!
A fatal shot
A lust for blood
The final act
The threat is real!
[Outro]
| D5 | - | G5 |
Cette grille d’accords est-elle juste ?
Ton avis aide les autres à trouver les meilleures contributions
Merci ! Ravi que ça t’ait aidé. Merci ! Ton avis aide à améliorer les grilles.
pour proposer une correction.
Chargement des corrections…
Même morceau, autres grilles d’accords.
Les morceaux joués après celui-ci.
pour participer à la discussion.