Mal Bara Himidiriye Nevil Fernando, Rukmani Devi

Mal Bara Himidiriye

Nevil Fernando, Rukmani Devi

Harsha Ratnayake

7057
0:00 3:30
Accordage Standard (E A D G B E)
Signature rythmique 4/4
Tonalité: F
Capo:
Sans capo 
[Intro/Inter]
------------------------------
| F  | - | - | - |
| Bb | - | - | - |
| F  | - | - | C |
| -  | F | - | - |
| -  | - |

[Chorus 1]
------------------------------
F        C       F
Mal bara himidiriye
        C       F
Koibada samanaliye
      Dm      C
Yanne hiru eliye
                F
Kiyanna siyumeliye

F        C        F   Cm
seethala mada pawane
     Bb7      C7       F
Mama mal gomu wetha yanne
       Dm    C
Ma soyamin enne
     C7           F
Mage pemwatha hamuwanne

[Verse 1]
------------------------------
F
Mee mesi bambarun
Bb
 Para da hera mama,
C                 F
oba wethatama duwami
       Dm
Lahiru res meda
C
 babalana obe ath
C7                  F
Thatu mama sipa ganimi

F
Ran tharu muthu wel
C#            C             F
Kirulak sada, obe hise thabami
F       Dm       Gm      C
Ran wimanak meda oba wenuwen
    C7              F
Pem rajadahanak mawami

[Verse 2]
------------------------------
F
Mal pethi aga redi
Bb
Pini bindu ek kota
C                F
Obe muwa pirimadimi
        Dm
Malwala ron kota
C
 Pema ha musu kota
C7                F
Rasa kara eya powami

F
Mal athurin mama
C#
Hondama malak gena
C                 F
Oba wetha eya pudami
F     Dm       Gm     C
E sematama wediyen agana mage
          C7      F
HAdawatha obata demi

[Chorus 2]
------------------------------
F        C       F
Siribara himidiriye
F      C       F
Aasiri puda denne
          Dm     C
Mal pethi wisirenne
              F
Gee handa musuwenne
       C       F   Cm
Kowlan nada denne
    Bb         C    F
Samanala kela igilenne
          Dm     C
Apa sitha pinawanne
    C7              F
Pem sampatha lan wanne

[Ending (ha..ha..)]
------------------------------
| F  | - | - | - |
| Bb | - | - | - |
| F  | - | - | C |
| -  | F | - | - |

Cette grille d’accords est-elle juste ?

À jouer ensuite

Les morceaux joués après celui-ci.